Morgana McKenzie
Cinematographer | Narrative & Documentary
Morgana McKenzie is a cinematographer known for her intuitive, emotionally grounded imagery and adaptable approach to storytelling. She grew up immersed in creativity, eventually picking up a camera after watching Super 8 as a teenager — and never putting it down.
“I thought all directors shot their own work. When I realized I could just shoot – I never looked back.”
Her work blends a strong artistic sensibility with technical confidence. Whether shooting narrative or documentary, Morgana prioritizes flexibility, intimacy, and gear that helps her stay connected to the moment.
Visual Style:
Morgana’s style is vibrant, tactile, and thoughtful. She embraces compact builds that don’t get in the way of performance or human connection. Her go-to kit is lightweight, quick to deploy, and optimized for sensitive, immersive cinematography – especially in run-and-gun doc settings. Her philosophy? Fix it in prep, stay curious on set, and always let the story lead.
“I want to walk in with a small, friendly build – but one that still packs a punch.”
Preferred Camera Package:
This is the build Morgana uses across her commercial, narrative, and documentary work. It’s compact, discreet, and optimized for creative flexibility.
- Camera:
- Canon C300 Mark III (PL mount)
- Lenses:
- Spherical: Zeiss Standard Speeds
- Anamorphic: Kowa Anamorphics
- Support:
- Telescopic Shape Handles
- Vario 5 Easyrig (Flex Vest optional)
- Filtration:
- 3-Stage Matte Box
- Rota Pola
- LowCon / UltraCon Filters
- Coral Filters
- Specialty Tools:
- Diopter Set
- Lightweight accessories for handheld work
Morgana’s custom “prep doc” – her personal Google Slides-based system blending shot lists, mood boards, and location references.
A treasure chest of optical tools: crystals, projector glass, prisms, etc.
“Everything is small, compact, and lightweight – while still delivering the look I want in-camera.”
Projects Shot With This Package:
Two of Morgana’s CSC-nominated projects were shot using her Canon C300 Mark II and Sigma photo lenses – a reminder that great visuals come from vision and prep, not just high-end gear.
Why This Package Works:
Morgana loves the AMIRA for its ergonomics and quick build time – but she keeps coming back to the C300 Mark III. It’s discreet, nimble, and ideal for emotionally sensitive work.
“The C300 continues to impress me. People underestimate it – but it’s one of the most capable cameras for my work.”
For anamorphic work, Morgana swears by the Kowa Anamorphics: low-contrast, lightweight, and beautiful. The short focus throw lets her pull off the barrel for greater control – a preference shaped by years of hands-on work.
“Stay curious. Try things. Ask questions. Make mistakes. Try again. Being vulnerable in the process is where the best work happens.”
Morgana dives deeper into her creative process, gear preferences, and advice for up-and-coming DP’s.
Rent Morgana's Package:
Shoot with Morgana’s exact setup by Contacting Ontario Camera and requesting this package.